One could say that, by definition, music is the most diasporic of art forms. It is movement itself. It is hybridity. It passes from place to place and from time to time, heedless of natural or social borders. Music belongs everywhere, and yet it is always from somewhere. Diasporic themes and histories have been central not only to the creation and commodification of new musical forms, but also to the emergence of global identities and solidarities.
In this conversation, recorded on October 28, 2021, the University of California, Berkeley’s Social Science Matrix, together with the Townsend Center for the Humanities, Cal Performances, and the Black Studies Collaboratory, took advantage of the precious artist-in-residency of Angélique Kidjo on the UC Berkeley campus to open a conversation about the global circulation of African musical forms and musicians, its worldwide significance, and its social power.
Angélique Kidjo was joined in conversation by Tianna Paschel, Associate Professor in the UC Berkeley Department of African American Studies; Ivy Mills, Lecturer, Visual and Literary Cultures of Africa and the African Diaspora; and Victoria Grubbs, Lecturer and Black Studies Collaboratory Postdoctoral Fellow.
